Monday, 7 October 2013

1988 – Human Rights Now Tour - 25 Year On...

Today marks the 25th Anniversary of Our Close Encounter of the First Kind - Planting the seed for Soul Mates / Twin Flames / Spiritual Partners / ONENESS!

 

Thank You; I AM ETERNALLY GRATEFUL for all that WAS; all that IS and all that WILL BE in the ETERNAL PRESENT MOMENT!...Ish'Allah

 

I'm right here waiting for us to be ETERNALLY ONE (when we're ready)

 

I have surrendered to God's and our LOVE; I AM PEACHY!

----------------------------------

 
Dear Neytiri,

Those two words “Dear Neytiri” take me away to another time when we used to Skype each other. I used to tell you about my new friends and my new life. And you used to tell me about the grand time my mom and dad were having in heaven.

Truth is nothing. What you believe to be true is everything. And the main thing that I used to believe was that I would be with you forever. Forever. The reason it has taken me so long to write to you is that I see that I have been a fool. I’ve spent my life fooling myself.

Every letter I’ve ever written to you has been a love letter. How could they have been anything else? I can see now that all of them except this one were bad love letters. Bad love letters beg for love back. Good love letters ask for nothing. This, I’m pleased to announce is my first good love letter to you because there is nothing more for you to do. You’ve already done everything. I have enough of you in my head to last forever. So please don’t ever worry about me. I’m peachy. I really am. I have everything.

If I had one wish, it would be that your life brings you a taste of the happiness you have brought to me. That you can feel what it’s like to find God and love. To Thine Own Self, Be True!

Your friend forever,

Jake
 
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1988 – Human Rights Now Tour


 
THE EVENT

The year 1988 marked the 40th anniversary of the signing of the Universal Declaration of Human Rights. The aim of the Concerts for Human Rights Foundation World Tour, featuring performances by Tracy Chapman, Bruce Springsteen, Sting, Peter Gabriel and Youssou N’Dour at venues in 19 cities from London to Buenos Aires, was to raise world consciousness of humn rights and of the plight of political prisoners world-wide.

© Neal Preston/CORBIS© Neal Preston/CORBIS© Neal Preston/CORBIS© Henry Diltz/CORBIS

ITINERARY
  • 2 Sept, Wembley Stadium, London, England
  • 4 Sept, Palais Omnisport Bercy, Paris, France
  • 5 Sept, Palais Omnisport Bercy, Paris, France
  • 6 Sept, Népstadion, Budapest, Hungary
  • 8 Sept, Stadio Communale, Turin, Italy
  • 10 Sept, Camp Neru, Barcelona, Spain
  • 13 Sept, Estadio Nacional, San Jose, Costa Rica
  • 15 Sept, Maple Leaf Gardens, Toronto, Canada
  • 17 Sept, Stade Olympique, Montreal, Canada
  • 19 Sept, John F. Kennedy, Philadelphia, PA, USA
  • 21 Sept, Los Angeles Memorial Coliseum, Los Angeles, CA, USA
  • 23 Sept, Oakland Coliseum, Oakland, CA, USA
  • 27 Sept, Tokyo Dome, Tokyo, Japan
  • 30 Sept, Jawaharlai Nehru Stadium, Delhi, India
  • 3 Oct, Olympiako Stadio, Athens, Grece
  • 7 Oct, New National Sports Stadium, Harare, Zimbabwe
  • 9 Oct, Stade Houphouet Boigny, Abidjan, Ivory Coast
  • 12 Oct, Estadio Palmeiras, Sao Paulo, Brazil
  • 14 Oct, Estadio Mundialista de Mendoza, Mendoza, Argentina
  • 15 Oct, Estadio River Plate, Buenos Aires, Argentina
© Neal Preston/CORBIS
Tracy Chapman, talkin’bout Amnesty and the Human Rights Now Tour: «

Like Nelson Mandela, all over the world people are in prison for their political beliefs. I think mostly, people are unaware of that. They don’t think it exists and this is where, maybe this tour is gonna help because they don’t understand really how much simply writing letters and calling people does. Y’know, it really put pressure on government officials to do what they can to let these people out.
They’re not necessarily individuals who have been politically known, they’re just people out there fighting for what they believe in or voicing their opinion and they end up in jail.
There’s lots of ways that an individual can try and help people and the position that I’m right now, I think I can do a lot more by doing these kind of things that I could, maybe, in some other situation. » – From Official Human Rights Now ! Tour book, 1988
« I think that Amnesty International, as an organization, does good work, and one of the reasons I got involved in this tour is because I think it’s important that people be made aware of what Amnesty does, the kinds of concerns that the organization has, and the kinds of things it is accomplishing by making human rights violation known to people throughout the world. »
« As a black American, and an American in general, I have a real interest in the quality of people ‘s lives in the United States, and that’s reflected in my music. As a country, we tend to look outside instead of looking inside when it comes to human rights ; people don’t see the United States in the same way that they see other countries. But we clearly violate people’s human rights in the States. And maybe this tour will have caused some people, particularly in America, to re-examine their own lives and to see in what ways people are suffering and in what ways they made be able to help. »
« I also hope this tour will have encouraged people from all over to get involved. I hope it will have raised people’s consciousness around the world, and maybe it will have put some pressure on governments to make changes for the people. »
« The really wonderful thing about this tour is that as far as communicating to people is concerned, music is universal. Even if you don’t understand the words to a song, you can feel the rhythm of it. You can appropriate the melody. And from those things you can get a sense of the emotions behind a song. »
« This tour was the chance of a lifetime –to have performed in the places we performed in and, on top of that, to have it all mean something too. » – From Human Rights Now ! The Official Book Of The Concerts For Human Rights Foundation World Tour, Text by James Henke. Bloomsbury, 1988. p.24.
LISTEN TO TRACY CHAPMAN’S AT THE FINAL NIGHT OF THE TOUR IN BUENOS AIRES
HBO CONCERT VIDEO
A three-hour film documenting the final concert in Buenos Aires together with highlights of the preceding world tour was aired once by HBO in the USA on December 10th 1988, International Human Rights Day





TRACY CHAPMAN VIDEOS
Freedom Now
VIDEOS FROM THE BUENOS AIRES CONCERT, October 15, 1988









Across The Lines, Tracy Chapman
Freedom Now, Tracy Chapman
Get Up, Stand Up (w/ Springsteen, Sting, Gabriel & N’Dour)
Chimes of Freedom (w/ Springsteen, Sting, Gabriel & N’Dour)
VIDEO ARCHIVES
Human Rights Now Tour in Paris, France 2
-----------------------------------------------------------------------------------------------

Human Rights Now! was a worldwide tour of twenty
benefit concerts on behalf of Amnesty International that took place over six weeks in 1988. Held not to raise funds but to increase awareness of both the Universal Declaration of Human Rights on its 40th anniversary and the work of Amnesty International, the shows featured Bruce Springsteen and the E Street Band, Sting, Peter Gabriel, Tracy Chapman, and Youssou N'Dour, plus guest artists from each of the countries where concerts were held.
Human rights activists and former prisoners of conscience from around the world, led by
Sonny Venkatrathnam from South Africa, participated in the tour. At each location, the artists and Amnesty leaders held a press conference to discuss human rights, and concert-goers were provided with copies of the Universal Declaration in their language and opportunities to sign the Declaration themselves and join the worldwide human rights movement.
The tour was made possible in part by a grant from the
Reebok Foundation. The twenty concerts were the second stage of what subsequently became known collectively as the Human Rights Concerts - a series of music events and tours staged by the US Section of Amnesty International between 1986-1998.

Background[edit]


Opening stages of the 19 September show at Philadelphia's JFK Stadium.

Human Rights Now! Tour booklet.
The tour was originally conceived by the Executive Director of Amnesty International's U.S. section, Jack Healey after a suggestion from former Executive Director David Hawk, with some limited input from producer Martin Lewis, who had first recruited rock musicians to perform for Amnesty years before for the Secret Policeman's Ball series of benefits.[1][2] Healey developed the concept with famed rock promoter Bill Graham, who had worked with Healey on Amnesty's shorter, United States-only tour in 1986, titled A Conspiracy of Hope, and who acted as tour director. Healey served as executive producer, leading the team of three producers: Mary Daly, Jessica Neuwirth, and James Radner, father of George Radner. The media strategies for the tour, based on concepts originated by Healey and Lewis,[3] were developed by Healey and Daly and executed by tour media director Magdeleno Rose-Avela and Charles Fulwood, Communications Director for Amnesty International USA.[3] The purpose of the tour was to engage the artists, the media and the public in the human rights cause and to deepen the involvement of existing human rights activists.
Like most such ventures there were problems that had to be surmounted. The cost of mounting the events in Third World countries meant that the tour required significant financial support; the Reebok Foundation filled this gap and thereby made the tour possible. Concert-goers in the developed nations purchased tickets for the shows at typical benefit prices. Prices were intentionally set low for the concerts in the Third World.
The tour was announced in April, with Sting and Gabriel as the headlining acts. Jackson Browne and Robert Cray were also at the initial announcement but in the end did not participate. Springsteen joined later, announcing his role during a July radio broadcast of a concert of his in Stockholm, Sweden.
There were also dilemmas about some of the countries and venues. Certain concerts were planned for remote locations. In some cases host governments were not happy to have the touring superstars preaching freedom and democracy in their backyard. Among Communist countries, Healey was only able to get into Hungary, and then only after a change in government led to a new opening. A member of the Soviet Politburo attended the Budapest concert, leading to the first official meeting between representatives of Amnesty International and the government of the U.S.S.R.
In the final event, the tour did indeed go to places rarely if ever visited by Western popular music acts, including India and Equatorial Africa. E Street Band saxophonist Clarence Clemons would later say that being in Africa and seeing black people literally everywhere he went was a revelation.

Performances[edit]

DateCityCountryVenueGuest artists
Europe
2 September 1988LondonEnglandWembley Stadium
4 September 1988ParisFrancePalais Omnisports de Paris-BercyMichel Jonasz
5 September 1988
6 September 1988BudapestHungaryNépstadionHobo Blues Band, János Bródy
8 September 1988TurinItalyStadio ComunaleClaudio Baglioni
10 September 1988BarcelonaSpainCamp NouEl Último de la Fila
North America
13 September 1988San JoséCosta RicaEstadio NacionalGuadalupe Urbina
15 September 1988TorontoCanadaMaple Leaf Gardensk.d. lang
17 September 1988MontrealOlympic Stadiumk.d. lang, Michel Rivard, Daniel Lavoie
19 September 1988PhiladelphiaUnited StatesJFK StadiumJoan Baez
21 September 1988Los AngelesLos Angeles Memorial ColiseumJoan Baez, Bono and The Edge
23 September 1988OaklandOakland ColiseumJoan Baez, Roy Orbison
Asia
27 September 1988TokyoJapanTokyo Dome
30 September 1988New DelhiIndiaJawaharlal Nehru StadiumL. Shankar, Zakir Hussain
Europe
3 October 1988AthensGreeceOlympic StadiumGeorge Dalaras
Africa
7 October 1988HarareZimbabweNational Sports StadiumOliver Mtukudzi, Ilanga, Cde Chinx
9 October 1988AbidjanIvory CoastStade Houphouët-Boigny
South America
12 October 1988São PauloBrazilParque AntárticaMilton Nascimento with Pat Metheny
14 October 1988MendozaArgentinaEstadio Mundialista MendozaJorge González
15 October 1988Buenos AiresRiver Plate StadiumLeón Gieco, Charly García

Musical themes[edit]


Lighters came out for songs such as Peter Gabriel's "Biko" that amplified the themes of the tour.
Each show began and ended with a group performance of Bob Marley's "Get Up, Stand Up", and before that closer, a Springsteen-led group rendition of Bob Dylan's "Chimes of Freedom". At many venues, guest artists from the area were featured, as opening acts and in joining the main participants at times, especially during the opening and closing ensembles.
The tour artists generally arranged their individual sets around themes of politics, freedom, and courage; Gabriel previewed the eerie "Of These, Hope" from his upcoming Passion: Music for The Last Temptation of Christ. Sting performed "They Dance Alone", about the relatives of "the invisible ones" in Chile and Inti Illimani, Los Prisioneros and the entire line-up played a rendition of Victor Jara's "El Aparecido". Sting had written the song the year before, inspired by his engagement with human rights activists on the earlier tour; during the Mendoza and Buenos Aires performances, Sting danced with mothers and wives of the disappeared. Springsteen seemed less sure of his approach and peppered his set with standard concert favorites like "Cadillac Ranch" and "Glory Days", but also introduced his sets with locally relevant human rights messages connected to songs such as "War" and "Born in the U.S.A.". In Argentina also played like a guest artist Charly Garcia and Leon Gieco. Las Madres de Plaza de Mayo make a parade on stage.
Tour artists also played some on each other's material. Sting sideman Branford Marsalis played with N'Dour; Gabriel, Springsteen, and E Streeter Nils Lofgren joined Sting's set at times; Tracy Chapman sang the Kate Bush part on Gabriel's "Don't Give Up", while N'Dour reprised his role on "In Your Eyes"; and Sting took a verse of Springsteen's "The River", while his keyboardist David Sancious staged a mini-reunion with the E Street Band on other numbers. (As it happened, these were the last regular shows the E Street Band would play for more than a decade.) Baez led the Oakland audience in a verse of "Happy Birthday to You" to Springsteen, who had turned thirty-nine the day of the show; the two then performed a duet on Dylan's "Blowin' in the Wind". (Baez also opened the three U.S. dates with performances of the spiritual "Oh Freedom" and John Lennon's "Imagine".)
Highlights of the final Buenos Aires show were shown on HBO and worldwide on December 10, 1988 (the actual fortieth anniversary of the Declaration), and broadcast on Westwood One radio.
Read more: http://www.about-tracy-chapman.net/1988-human-rights-now-tour/#ixzz2ghyhx7IX

Can't Get By Without You (S)

WOW!


No way, no way, no way

When I leave your door, when we say goodnight (after Skype)
It hurts me more and more
'Cause, girl, it just ain't right
To end the day like this


With no more than a kiss
And spend the night
Just dreaming of the things
We're gonna miss


If I have my way
Girl, we'd be together more
And more each day
We'd go on forever

Lovers, hand in hand
Can't you understand
Girl, you've got to be my woman
I've got to be your man


'Cause I can't get by without you
I want you more each day
The way I feel about you
Leaves nothing more to say


'Cause I love you
Girl, I need you
And I can't get by
Without you, no way

It's a sad affair
Wasting precious time
That you and I could share
Girl, it's such a crime

To hear you call my name
It's a crying shame
When we're not together
Then there's only time to blame


There will come a day
Girl, I do believe
It's not too far away
When I can say goodnight

And still be by your side
To dry the tears you cried
And I'll have all the love I need
To keep me satisfied


'Cause I can't get by without you
I need you more each day

I can't get by without you
I need you more each day

Can't get by without you
Can't get by without you
Can't get by without you

I can't get by without you
I need you more each day

I can't get by without you
I need you more each day

Secret Lovers (S)



Here we are, the two of us together
Taking this crazy chance to be all alone

We both know that we should not be together
'Cause if they found out, it could mess up
Both our happy homes

I hate to think about us all meeting up together
'Cause soon as I looked at you, it would show on my face, yeah
Then they'll know that we've been loving each other
We can never no, no, no, no, we can't leave a trace


Sittin' at home I do nothing all day
But think about you and hope that you're okay
Hoping you'll call before anyone gets home
I'll wait anxiously alone by the phone


How could something so wrong be so right?
I wish we didn't have to keep our love out of sight, yeah
Living two lives, just ain't easy at all
But we gotta hang on and after fall


Secret lovers, yeah that's what we are
Trying so hard to hide the way we feel
'Cause we both belong to someone else
But we can't let it go 'cause what we feel
Is, oh so real, so real, so real

You and me, are we fair?
Is this cruel or do we care?
Can they tell that's in our minds?
Maybe they've had secret love all of the time

In the middle of makin' love, we notice the time
We both get nervous 'cause it's way after nine
Even though we hate it, we know it's time that we go
We gotta be careful so that no one will know


Secret lovers, yeah, that's what we are
We shouldn't be together but we can't let it go
'Cause what we feel is, oh so real
So real, so real, so real, so real

Runaway Neytiri

Movie of the Year (?) - Runaway Bride - the story of Neytiri's Life!?

So; How do you like your eggs, Neytiri?
 
 
 
 
 MAN
(reads)
"To be fair, the man-eater isn't exactly new.  In Ancient Greece, this fearsome female was known as Erinys, the devouring death goddess.  In India, she is Kali, who likes to devour her boyfriend Shiva's entrails while her yoni devour his -- dot dot dot, never mind.  In Indonesia, the bloody-jawed man-eater is called Ragma..."

"... And in Hale, Maryland where she helps run the family hardware store.  She is known as Miss Maggie Carpenter..."
(mispronounces)
".... AKA, the Runaway Bride."
 ---------------------------------------------------
 
IKE: I feel I'm right about you.  You got me fired, lady.  You destroyed my reputation and you screwed up my hair.  You chew men up, spit them out and loved it.  And I'm down here to satisfy myself on that point.

MAGGIE: Did something happen to make you care about reality?

    IKE: Yes.  Conviction.  Conviction that I'm onto the truth.  You're going to do the same thing to "poor bastard number four"
that you did to the last three.  You're going to run again.  And I'm not leaving until you do.

    MAGGIE: You're going to be very disappointed.

    IKE: We'll see.
 ------------------------------------------------
 MAGGIE: Bless me, Father, for I have sinned.  My last confession was... ahh...Anyway, I have sort of a technical question here.  I've been having -- bad thoughts.  I mean, really bad thoughts...

    PRIEST: Of an impure nature?

    MAGGIE: No -- like -- I'm having a problem with that whole turn-the-other-cheek concept.  I want revenge.  I want to destroy this guy's life, career, everything. On the sin scale, how big is that?  I mean, can I "Hail Mary" my way out of it?

    PRIEST: Child, any sin in one's heart is...

    MAGGIE: The name's Maggie.  It wasn't this side of ten years ago that you had your tongue down my throat.  So don't call me "child", Brian.  It annoys me.

      BRIAN: You're not even Catholic, Maggie -- you really shouldn't come to confession.

    MAGGIE: I'm sorry.  I'm just so stressed out about that slime-ball reporter being in town.  I jus had to come warn you he might show up here and start asking you all kinds of ridiculous questions.

    BRIAN: Actually, he only asked me one ridiculous question.  The rest weren't so bad.
 
 MAGGIE: Wait -- what was the ridiculous question he asked?

    BRIAN: He wanted to know how you used to like your eggs.

    MAGGIE: Weird.  Like after all those years you would remem--

    BRIAN: -- Scrambled, with salt, pepper and dill.  Same as me.
------------------------------------------------------------

    MAGGIE: I'm really sorry that I hurt you, Brian.
 
IKE: But the most interesting thing here is that I don't see the rose tattoo that I've heard about on your back.

    GILL: Ike bet me fifty bucks you don't still have it, Mags.  I said "You're on, man!  Maggie loved that thing!"  And I could really use fifty bucks.
 
MAGGIE: I'm not gonna show you guys anything.  I am a soon-to-be-married woman.  Now give me that photograph.

    IKE: Sure, I would love to give this to you.  Just give us one quick gander (of your TMT!) at that rose, and, I'll gladly hand it over.

    MAGGIE: Fine.  Here.

Maggie quickly turns around and pulls down the back of her shirt,
revealing the top of her back and a pristine expanse of skin.  No
tattoo.

    MAGGIE: Satisfied?

    IKE: Completely.

    GILL: Maggie?  You got it removed?

    IKE: Gill, I'll go ya double or nothing if was a stick-on.

    GILL: Maggie?

    MAGGIE: I'm really, really afraid of needles...It doesn't make me a bad person.

    IKE: Look, look, man.  I think the man is heartbroken.

    MAGGIE: He is not!
---------------------------------------------------
IKE: That your  husband out there?  Cory Phleming, a local radio announcer.

    PEGGY: Have you listened to his morning show, "Wake up with ballplayer"?

    IKE: Not yet.  I had a phlemless morning.  I hear he's a pretty good ballplayer.

    PEGGY: This game is pretty important to him. He made all-stars in high school, you know.

    IKE: That must have made you proud.

    PEGGY: He was going with Maggie back then. He was never one of her... I mean, they were never going to get... They just dated for a while.

    IKE: It's nice that they're still friends.

    PEGGY: Oh, sure.  That was a long time ago.  See, she's not a man-hater at all.  She's very supportive of men...I'll be back in a second.

    MAGGIE: You've been here for three minutes.  What did you do to her?

     MAGGIE: You misinterpret everything.  We've all been friends our whole lives.  But that's the types of relationship you wouldn't understand.

    IKE: Obviously, I'm not the only one who doesn't understand it.  The USS Maggie (HMS Neytiri) leaves quite a wake... Excuse me.
---------------------------------------------------
 
MAGGIE: Do you think I flirt with Cory?

    PEGGY: Good morning to you, too.  You look good.

    MAGGIE: Thank you.  Do you think I flirt with Cory?

    PEGGY: Yes.

    MAGGIE: I don't mean it.

    PEGGY: I know.  I think sometimes you just sort of spaz-out with random excess flirtation energy and it just lands on anything male that moves.

    MAGGIE: On anything male that moves?  As opposed to anything male that doesn't move?

    PEGGY: Like certain kinds of coral.

    MAGGIE: I'm going to kill myself.

    PEGGY: Why?

    MAGGIE: Because you think I'm all like... "Hey man, check me out".

    PEGGY: No, I don't think you're like, "I'm charming and mysterious in a way that even I don't understand and something about me is crying out for protection from a big man like you".  Very hard to compete with.  Especially to us married women who have lost our mystery. (This is how the AOL wives felt about Blond Neytiri!)

    MAGGIE: But you haven't lost your mystery!  You're very mysterious!

    PEGGY: No.  I'm weird.  Weird and mysterious are two different things.

    MAGGIE: But I'm weird.

    PEGGY: No.  You're quirky.  Quirky and weird are two different things.

    MAGGIE: Peggy, there's distinct possibility that I might be profoundly and irreversibly screwed up.  Despite that, I love you and I can promise that I will no longer flirt with Cory, and I beg your forgiveness.

    PEGGY: I'm not worried about you and Cory or Cory and me or even that you're irreversibly screwed up.  But, Maggie, you've been like this since we were kids.  And I think now that you are aware of it and that it hurts people's feelings, maybe it's time to move on with your life and commit to someone of your own, like Bob, if he's the one.

    MAGGIE: I think you're right. Is there anything I can do to make it up to you?
----------------------------------------------------

IKE: Maybe it's just me, but -- if you got to dress it up, it doesn't ring true. I think the most anybody can honestly say is, "Look...I guarantee that we'll have tough times.  I guarantee that at some point one or both of us will want to get out of this thing.  But I also guarantee that if I don't ask you to be  mine, I'll regret it for the rest of my life.  Because I know in my heart -- you're the only one for me"

------------------------------------------ 
 
 BOB: Let me have the garden omelette.  Egg whites only.

    MAGGIE: I'll have the same.

    IKE: Of course.
------------------------------------------------------------------
 
GRANDMA JULIA: Right, cover your ears, Netta.  It's not that she's afraid of the wedding, she's afraid of the wedding night. Innocent girls are terrified of "the one-eyed snake". Why, when I was a virgin bride, I took a knitting needle with me into the bed...

    MAGGIE: Actually, Grandma, I charmed the one-eyed snake awhile ago.

    GRANDMA JULIA: Oh, yeah, I forgot.  I'll tell you one thing, your grandpa didn't forget that wedding night.
----------------------------------------------------------------
 
 MAGGIE: Do you think there's only one right person for everybody?

    IKE: No.  But I think attraction is too often mistaken for rightness.  Attraction is very misleading.  And if it's mutual, it's well, terribly distracting.

    MAGGIE: Yes it is.  And it doesn't mean anything.
 ------------------------------------------------------------
 
IKE: I'm writing an article, I'm getting  paid to do this, it's going to be a cover story, it's going to be published... The facts will be read someday.

What kind of eggs did she like?

    GEORGE:  Poached, just like me.
-------------------------------------------------


ELLIE: ... Just call me when you have it. Ike, how is the story coming?  Is she a man-eater?

    FISHER: Or a vegetarian?

    ELLIE: Or does she pick "NGB'S" -- "Nice Guys, But..."  Nice guys, but I'm cheap.  Nice guys, but he lives with his mom... Nice guys, but he just out of prison.

    IKE: No... They're interesting guys.  Each one of these guys has something going for him.  I mean, one's been up Everest.  Another's become a priest.  One's a pretty good guitar player.  And this guy today tried to end world hunger, if you can believe that...

    FISHER: Whoa, Ike.  Getting a complex, buddy?

    ELLIE: Fisher, let him talk.

    IKE: But one of those guys -- not one of them -- knew her at all.  Each one was convinced that she was perfect for them, but they didn't see her.  And she never showed up so they couldn't see her.  It's a very symbolic thing happening. She becomes what she thinks they wanted to be.

-----------------------------------------------------------
 
IKE: You want me to make a toast?  Okay... I'll give you a toast.  To Maggie's family and friends.  May you find yourselves the bull's eye of an easy target.  May you be publicly flogged for all of your bad choices and may your noses to rubbed in all of your mistakes...
 
MAGGIE: You humiliated me!

    IKE: No, Maggie, I defended you.  Humiliating you is what everyone else is doing.  It's the theme of this party.

    MAGGIE: I had it under control.  Now they feel sorry for me.

    IKE: Well, they should.  Because they're about to watch you hang yourself again.-- Tell me something, do you really care about Mount Everest?

    MAGGIE: It's fun!  It's high.

    IKE: Or the sexual habits of locusts?

    MAGGIE: That was very interesting research George was doing!

    IKE: What kind of Dead Head gets a temporary tattoo?

    MAGGIE: I already explained about that.

    IKE: And where you ever really going to run the leper colony in Molokai?

    MAGGIE: Brian told you that?

    IKE: Or maybe you just wanted to wear the headdress.

    MAGGIE: Every one of those times I was being supportive.  Something you won't understand.

    IKE: Supportive?  You weren't being supportive.  You were being scared.  Just like now.  You are the most lost woman I have ever laid eyes on.

    MAGGIE: Lost!

    IKE: That's right.  You're so lost you don't even know how you like your eggs.

    MAGGIE: What!?

    IKE: With the priest, you liked them scrambled.  With the Dead Head, fried.  With the bug guy, poached.  Now it's egg whites only, thank you very much.

    MAGGIE: That's called changing your mind.

    IKE: No, that's called not having a mind of your own.  What are you doing, Maggie?  You really want to let that man drag you up Annapuma on your honeymoon?  You don't want to climb Annapuma.

    MAGGIE: Yes I do!

    IKE: No you don't.  You want a man who will lead you down the beach with his head over your eyes just so you can discover the feel of the sand under your feet.  You want a guy who will take you into a cave with a thousand candles just to read you a poem.  You want a man to wake you up at dawn because he's burning to talk to you and he can't wait another minute to find out what you'll say.  Am I right?

Am I right?

    MAGGIE: Stop.  Stop it!  I'm getting married on Sunday, and you're just trying to make me run!  Why?  Because you're a cynical,
exploitative, mean-hearted creep who wouldn't know real love if it bit him in the armpit!  And all you do is tear other people down and-and-and laugh at them, and criticize what they do, because you're too afraid to do anything yourself!  I read your column.  You never wrote one about you.  I'm not the only one who's lost and you know it!  Am I right?  Well?  Am I right?

--------------------------------------------------------------
 BOB: If you were imagining me, you did great.
(to Ike)
What the hell were you doing?

    IKE: I'm sorry, Bob.  She kissed me back.

    MAGGIE: I kissed him back.

    BOB: Yeah, I caught that.  Want to tell me how long this has been going on?

    MAGGIE: About a minute...?

    IKE: A little longer for me.

    MAGGIE: Really?

    BOB: What do you expect me to say to this?

    IKE: How about -- "I hope you'll be very happy together"?

    BOB: I hope you'll be very happy together.
----------------------------------------------------------------------------------------------------------

 
CINDY: I love his eyes.  I just believe they're listening to you.

    PEGGY: His hair... any color.

    GRANDMA JULIA: I like his tight butt.

---------------------------------------------
BOB: I'm glad it's you.

    IKE: Really?

    BOB: I didn't want to find out I wasn't for her in the fourth quarter.

    IKE: Got any last minute advice?

    BOB: Maintain eye contact.

    IKE: Eye contact.  Eye contact.
---------------------------------------------------
 
BOB: That's okay.  There's a lid for every pot.  Besides, I'm comfortable with Ike.  I mean, Jack Dempsey lost his heavyweight title to a New Yorker.
------------------------------------------------------------------

 "MAGGIE'S MAD DASH"
"HARDWARE HONEY GOES NUTS AND BOLTS"
"JOURNALIST WRITTEN OFF"
"BRIDE TAKES HIKE...NOT IKE"
"BRIDE TAKE RIDE"
"MAGGIE SAYS I DON'T"

-----------------------------------------------------------------
 
PEGGY: You know, I was just thinking about that geese thing.  I think the "V" was half of a "W".  A "W" for...

    MAGGIE: What are you talking about?

    PEGGY: Wedding.  Wedding. You just have to get the rest of your ducks in a row.

    MAGGIE: Thank you.  You still think that he was....

-------------------------------------------
 
 MAGGIE: Just stop it.  Don't say another word like that.

    WALTER: Maggie, it's just a joke...

    MAGGIE: No.  It's my life.

    WALTER: A harmless joke.

    MAGGIE: No, it's humiliating and you've been doing it since I was a kid.  I don't like it.  Stop.  You may not like having a daughter with problems.  But guess what?  I don't like having a father who's drunk all the time.  I'll eat in my room.

    GRANDMA JULIA: That needed to be said.  You know -- you're always making jokes about her, so they won't make jokes about your drinking.
-------------------------------------------------
 
MAGGIE: I need a plan... A plan to life... What would Bruce Lee do?  He'd kick some ass...

-----------------------------------------------------
 
MAGGIE: I wanted to talk to you about why I run or ride away from things.

    IKE: Does it matter?

    MAGGIE: I think so... When I was walking down the aisle?  I was  walking toward somebody who didn't have any idea who I really was.  And it was only half the other person's fault, because I had done everything to convince him that I was exactly what he wanted.  So it was good that I didn't go through with it because it would have been a lie, but you -- you knew the real me.

    IKE: Yes, I did.

    MAGGIE: I didn't.  And you being the one at the end of the aisle didn't just fix that.

    IKE: No, I couldn't fix anything...But I still ended up chasing a truck.

    MAGGIE: I understand why you bring up the truck. Let me explain something.  The fact is, you've seen me at my worst, most
embarrassing, deviously plotting, potentially but not certifiably,
psychotic state.  And if you liked me then, I mean, now... I can't imagine...Benedict.

    MAGGIE (cont'd) I love eggs Benedict.  I hate all the other kinds.

... I hate big weddings with everybody staring.  I would like to get married on a weekday while everybody is at work.  If I ride off into the sunset, I want my own horse.

    IKE: Should I be writing this down?

She returns to the balcony and hands him the box.

    IKE: What's this?

    MAGGIE: These are for you.

He opens it.  It's her running shoes.

    IKE: Used?

    MAGGIE: They're mine.  I'm turning in my running shoes to you.

    IKE: This is getting serious.

Now she is glowing at him, shining with the full force of her.

    MAGGIE: And one more thing.  I know it's hard to believe there could be more.  Um...If you could have a seat, please.

    IKE: Oh my God.  No.

    MAGGIE: No, no -- don't hide your face, this only happens once in a lifetime.  It's definitely a first to me, and you're not going to want to miss it.

    MAGGIE (cont'd): I love you, Homer Eisenhower Graham.  Will you marry me?

    IKE: Maggie, I gotta think about this a little bit.

    MAGGIE: Good.

She gets off her knees and stands.

    MAGGIE (cont'd): I was hoping you'd say that.

    IKE: You were not.

    MAGGIE: I was, because if you said "yes" right away, I wouldn't get to say this next part.  And I've been practicing it.

Ready?

    IKE: I'm listening.

    MAGGIE: (tenderly) "I guarantee that we'll have tough times.  I guarantee  that at some point one or both oof us will want to get out.  But I also guarantee that if I don't ask you to be mine, I'll regret it for the rest of my life. Because I know in my heart -- you're the only one for me".